For example, when used with a dark-sounding microphone or an alto vocalist, the brighter EM-Blue can open the sound up perfectly. Incredible sounding on almost any microphone and source, the 583S is a must have preamp for the modern recording studio. TREE AUDIO TREE PRE 500 SERIES MICROPHONE PREAMP quantity. Grace Design m501 500 Series Microphone Preamp. Black Lion Audio Auteur MKII 500 Series Preamp $ 199.00. or $6 /month for 36 months . Fredenstein Magic Pre 500 Series Microphone Preamp. To give each preamp in the A-Designs Audio EM-Series its own unique character, each has custom-wound transformers using proprietary A-Designs alloys that have been painstakingly tested to produce the perfect sound for the right application….but that doesn’t mean that the EM-Series preamps are one-trick ponies - far from it! sales@adesignsaudio.com. Itâs very unique and very affordable, making it one of the best 500 series preamps. No matter if your source needs a mic, line, or DI input this preamp offers versatile, beastly tone. Buy 500 Series Preamps online. The A-Designs Audio 500 microphone preamp series is comprised of five different 500 series-compatible mic/line pres, each one meticulously voiced with a specific sonic functionality in mind. Choose between two styles of op-amps for clean or more saturated sounds, and two types of capacitors (tantalum or electrolytic). Browse online from our extensive range for every budget. This made repairs easier to perform as the channels could be broken down by section, but also allowed engineers to integrate units from other companies into their consoles for tonal variation. Share Reply Quote. The coolest part? They are based on the venerable Pultec design. Pro-Audio Gear: Preamps, Compressors, Equalizers, DI Boxes, 500 Series, Summing. Sold Out. Sold Out. The F609 gives you the classic sound of yesterday with the reliability and innovation of tomorrow. A VU meter allows for precise leveling, working in concert with the pad and low cut options. New! These units are physically compatible with any API or VPR Alliance mounting device, and also meet the precise power rating requirements necessary to function perfectly from the moment … The EQ is a passive two-band design with three selectable frequencies for each band with gain knobs capabale of boosting up to 15dB. Over the next few years multiple companies created their own versions â all based on the same âinterchangeable partsâ approach. If you’re building a 500-series unit with drum recording in mind, a pair of P-1s is a superb choice for overheads when you want to capture the entire kit - especially the sizzle of the cymbals. Tube preamps are renowned for offering fat vintage tone, but most are expensive and delicate. No KuantoKusta estão as melhores ofertas, promoções e … The EM-Red has the extra kick you need with a mic that lacks present midrange (such as the mid-scooped Chinese capsules), or for bringing an instrument forward in the mix. To top it off, every unit is hand-wired. Everything he builds seems to be conceived out of a need to satisfy some aspiration that he himself is chasing. Buy now: AMS Neve 1073LB (USED) ¥96,800 JPY ¥96,800 JPY. The first 500 series tube mic preamp and still the only to fully power the tube with 250V for a rich vintage tube tone. 500 series units are amazing because you can build out your dream signal chain easily without needing a cumbersome console and integrate it into your interface based digital audio ecosystem. Rated 5.0/5 Stars. Buy now: Enter the âlunchboxâ. Thanks to 500 Series … Avedis Audio Add to cart Details. All rights reserved. All Things Gear may make a commission on products sold through the links on this website. Incorporating the 517′s powerful preamp, the 5012′s universally useful sweepable high pass filter, and the transformer-saturating power of a variable silk circuit derived from our flagship Portico II Channel, the 511 is a Rupert Neve … api Lunchbox Screw (NEW) ¥110 JPY ¥110 JPY. No interest if paid in full within 12 months . The upfront mids of the EM-Red make it ideal for drums, guitar, bass guitar, and acoustic instruments….in fact, you will find the EM-Red particularly useful when recording acoustic guitar with a condenser microphone. With a big, bold preamp and the flexibility of variable Silk/Texture, Rupert Neve designed the 511 to combine classic sonics with 500-series value. If you like the vintage Neve sound, you’ll love the EM-Silver. Or $32.00/month§ for 24 months i. DBXâs take on a 500 series preamp offers transparency with 60dB of gain so you can focus on capturing the true sound of the source without too much coloration from the preamp. Guitar Center | Sam Ash | Musicianâs Friend. Here are some of the best 500 series preamps. The discrete preamp is built on a one-channel transformer design with input and output controls. The EM-Gold is ideal for fattening up thin-sounding sources; on mics lacking low mids or upper bass warmth; and mid transients, such as percussion and drums. Its sound is based on a custom-wound steel output transformer, which makes it an excellent match for ribbon microphones since steel transformers were widely used in the early days of recording and broadcast - it was the combination of steel transformer and ribbon mic that gave broadcasters and singers that “Voice of God” sound that has lit up so many vocal recording and the amplified spoken word for decades. SSL 500-Series VHD Preamp - Processamento de sinal - Todos os preços são apresentados com IVA, à taxa em vigor aplicável em Portugal, 13% em instrumentos musicais, caixas de ritmos e teclados midi, e 23% nos restantes produtos, válidos até ruptura de stock. The design includes dual triodes and a pair of American made transformers. WA12 500 Series Microphone Preamp Product information Item Weight 2.35 pounds Product Dimensions 9.8 x 8.1 x 3.5 inches ASIN B008P0FXQ8 Item model number wa12500 Customer Reviews: 3.9 out of 5 stars 14 ratings. FOR SHIPPING OUTSIDE THE UNITED STATES PLEASE CONTACT US FOR QUOTE. Single-channel 500 Series Preamplifier Module with 48V Phantom Power, 75Hz Highpass FIlter, 1/4" hi-Z Instrument Input, and Ribbon Microphone Mode. Apart from the utilitarian task of electronic isolation for noise-free operation, the alloys used for the transformer’s winding - along with the number of windings - will impart a distinct sonic quality: nickel-wound transformers provide a more transparent sound with an airy high end, while steel can impart a thick “Neve-like” midrange or low-end “API growl”…you get the idea.
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