Für den Einsatz in Arbeitsgruppen wie beispielsweise in TV-Sendern stehen Netzwerk-Lösungen zur Verfügung, die es ermöglichen, auf Bild- und Tonmaterial, Schnitte und Effekte gleichzeitig auch von mehreren Schnittplätzen aus zuzugreifen.2009 wurde Lightworks von der amerikanischen Firma EditShare aufgekauft, die sich auf Produkte zur Vernetzung von Schnittsystemen aller Hersteller für TV wie Kino spezialisiert hat.Von Anfang an unterstützte das System auch speziell entworfene Hardwarecontroller und Bedienfelder, die klassischen Bedienpulten von Schnitttischen und Fernsehmischern nachempfunden sind und somit im Vergleich zur alleinigen Nutzung von Maus und Tastatur die Arbeit mit dem System beschleunigen. It was just a lot of hard work.When I met him (Marty), he truly became the reason I became a filmmaker. […] year these posts all got an update, including most recently this epic round up of joyful insights on the editing career of the legendary Thelma Schoonmaker, with a closer look at The […]They cover everything from maintaining the pace over the runtime, handling the de-aging process, Thelma’s preference for cutting on Lightworks and some of the specific stylistic elements within the film.And also Lightworks has a phenomenal sync reference system which means that if I’m cutting with 24 sound tracks I can do some experiments and throw myself out of sync during the experiments without worrying, because on the right side of the timeline Lightworks will tell me exactly how many frames out of sync I am on each of the 24 tracks.In this recent Bafta Guru interview, Thelma walks through her career in film editing and how she got her start in the industry and first met Scorsese.Schoonmaker also showed a funny outtake in which Pesci and De Niro try to keep their concentration and keep the babies from fidgeting or crying, with great difficulty.As you can see from the run-time’s Scorsese makes long films!My job as an editor was to take the brilliant improvisation between De Niro and Joe Pesci but all shot first for two hours on DeNiro and then for 2 hours on Pesci and try and make it seem like a scene.
(Laughs)Not having to worry about sync gives me great freedom.I can be three frames out of sync on track one and 24 frames out of sync on track fifteen and seven frames out of sync on track eight. "Together, they’ve worked on 24 movies, and she discusses their work as being highly collaborative, involving hundreds of decisions every day.“Your job is to get his vision up on the screen,” she says.
He wants me to look at it cold and tell him if it works.Interestingly, our first audiences had no problem with this — they became gripped by the characters and kept saying they didn’t mind the length and loved the pace. The Editor's Choice In den 1990er Jahren fand das System schnell Verbreitung, insbesondere bei der Produktion von amerikanischen und englischen Spielfilmen mit sehr hohen Etats. So I’ve had all the luck anyone can have in the world! He said that audiences are actually way ahead of us and as filmmakers, we must try to be ahead of them—to surprise them and make them feel our movies, not tell them what to think.It’s pretty tricky to disentangle Thelma talking about editing from Thelma talking about working with ‘Marty’ (as she calls him). By Iain Blair Editor Thelma Schoonmaker is a three-time Academy Award winner who has worked alongside filmmaker Martin Scorsese for almost 50 years. If the video does not display properly in this post it can be seen at:
I look at the footage first, as soon as it comes in to make sure it’s all OK and nothing is missing.There are a couple of films in which Thelma delivers a DVD commentary alongside numerous other artists. Used by editors such as Chris Gill and multi Oscar-winning Thelma Schoonmaker, Lightworks offers intuitive controls, advanced real time effects, 2K native support with DPX or RED, and multi-camera editing features that remain unmatched.
Simply put, Schoonmaker has been Scorsese’s go-to editor and key collaborator over the course of some 25 films, winning Oscars for Raging Bull, The Aviator and The Departed. I think you can now.My director is a wonderful editing director. Multi-Oscar-winner Thelma Schoonmaker and her team (Hugo 3D, The Departed, Gangs of New York, and the acclaimed thriller Shutter Island) used Lightworks for Martin Scorsese’s latest film “The Wolf of Wall Street” with Leonardo DiCaprio, for which she has just been nominated for a BAFTA. Diese Ergänzungen sind jedoch bis heute optional.Um einen Schnittplatz zur Herstellung von technisch korrekten und sendefähigen Mastern zu befähigen, wurden ursprünglich externe Zusatzgeräte benötigt, wie beispielsweise Bildmesstechnik. 2011 Interview with Lightworks editor Thelma Schoonmaker. Thelma Schoonmaker (* 3. Academy® and Emmy® award-winning Lightworks was introduced in 1989 as the first and most advanced non-linear editing system on the market. Simply put, Schoonmaker has been Scorsese’s go-to editor and key collaborator over the course of some 25 films, winning Oscars for Raging Bull, The Aviator and The Departed.
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