Mapplethorpe was no documentarian, though—his photos presented a new world of his creation, all the leather, latex, blood, and urine filtered through his measured, sumptuous classicism. Even if the sex photos fix on one aspect of their subjects’ personalities to the exclusion of others, one gets the sense this was welcome—a performance. He was a sought-after portraitist, shooting celebrities of all stripes, and in his studio practice pursued his obsession with formal perfection with his studies of flowers and nude figures. He once said that ‘beauty and the Devil are the same thing’.Despite (or perhaps because of) being diagnosed with AIDS in 1986, he accelerated his creative efforts, undertaking increasingly ambitious projects. He was not looking to make a political statement or an announcement of his evolving sexual persuasion. A photograph like this one sidesteps that problem by remaining forever frozen, its potential as limitless today as the day it was shot.In his celebrity portraits and S&M tableaus his subjects were afforded agency, their identities allowed to fill the frames. The composition demonstrates his mastery of lighting, careful staging, and ornamentation to create a mysterious portrait of Lyon. They draw audiences in on pure aesthetics, their depth and texture, and in time reveal complex, troubling dynamics with which their viewers are left to reckon. Mapplethorpe consciously composes the images to emphasise their structure and geometry. His work featured an array of subjects, including celebrity portraits, male and female nudes, self-portraits, and still-life images. From his early Polaroid portraits, to his fashion photography and later controversial work, Mapplethorpe… A large proportion of his portraits from the 1980s were of prominent figures in the arts, such as Truman Capote, William Burroughs and Andy warhol; and his portraits can be seen as a reflection of New York’s ‘cultural scene’ at that time. His photographs both challenge us and present us with images of classical beauty.Using Mapplethorpe's photographs in the ARTIST ROOMS collection this resource takes an in-depth look at some of the key themes Mapplethorpe explored in his work. View American Flag by Robert Mapplethorpe sold at A Constant Pursuit: Photographs from the Collection of Ed Cohen & Victoria Shaw on New York Auction 4 October 2018. Alex Katz often uses family and friends as his subjectsI don’t like that particular word ‘shocking.’ I’m looking for the unexpected. A key figure in late 20th-century photography, Mapplethorpe created work with a distinctive tension between opposites: sacred and profane, mainstream and underground, light and dark. Robert took areas of dark human consent and made them into art. The diagonals of the radiator pipes and of Smith’s arms and legs contrast with the otherwise horizontal and vertical structure of the image.Mapplethorpe’s subjects often represent a particular cultural scene; with figures such as Andy Warhol, Marianne Faithful and Grace Jones.
They never do what you want them to do.’While images of the body are associated with ideals of beauty, the portrait is often associated with identity and individuality.Self-portraits are perhaps the most complex type of portrait because the artist and sitter are the same person, and the image has a personal, diary-like feel. When he was sixteen he enrolled at the Pratt Institute in Brooklyn, where he studied drawing, painting, and sculpture.Rather than putting across the character of each sitter, the photographs reflect Mapplethorpe’s vision – showing his perfect idea of the sitters. Robert Mapplethorpe is best known for his powerful black-and-white portraits and self-portraits.
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