So Furler passed the song along to Rihanna’s manager, who held it for eight months, but ultimately did not pay the fee to secure the track. But sometimes, Sia’s songs pass through more than one artist’s hands before they are recorded and things can get complicated, such as with the song “Pretty Hurts.” “I wrote it on the sofa three years ago for Katy Perry, sent it to Katy Perry she never heard it,” Sia said. Beyoncé wrote the song with Sia Furler (Rihanna, Katy Perry, Britney Spears). She texted Furler: “I’m pretty hurt you never sent me this song.” Furler responded: “Check your email.” Still sounding disappointed, Perry says, “It was meant to be with Beyoncé, of course.” She loved it. “When Beyoncé heard it, she slid into home base and just closed the deal,” Furler says. Yesterday, the Times posted a breakdown of three of Furler’s songs and the stories behind them — including Beyoncé’s “Pretty Hurts,” revealing how easy it is to get (and lose) a track. Last summer, Dr. Luke, one of Perry’s producers, got hold of the Beyoncé version and played it for Perry. Some of the 38-year-old’s recent songs to hit the charts are Flo Rida’s “Wild Ones,” DJ David Guetta’s “Titanium” and Rihanna’s “Diamonds.”With Beyonce having secured “Pretty Hurts,” Sia said Rihanna’s engineer suggested sending her another song Sia had written.To get the creative juices flowing, Sia said sometimes all it takes it seeing something on “crap television” or an object in a room, such as a chandelier.“Rihanna’s engineer said, ‘Why don’t you play her ‘Diamonds’ because I think it’s a better song for her and maybe that will make her less bummed.’ Rihanna was like ‘I love this song.
“Then I sent to Beyonce's people and Rihanna’s people and Rihanna heard it and she had it on hold for eight months and her management forgot to secure it by paying for the track and Beyonce just slid into home base and threw the money down and it was a really awkward situation.”“I don’t want to be famous, or recognizable,” she said. Or perhaps Beyoncé just knows how to answer an email promptly.Furler emailed the song to her friend Katy Perry, but Perry didn’t see the email. ... There’s a lot of stuff that goes into it, strategy that goes into it.” It was initially written for Katy Perry and then offered to Rihanna. The Australian singer-songwriter also co-penned " Standing on the Sun," which was debuted in 2013 by the Texan Pop Princess but didn't make the album's final tracklisting. "['Chandelier'] is a strong title because [record] labels want things that people can Google. Beyoncé decided to record "Pretty Hurts" because she felt that the beauty industry was "the most humiliating, judgmental place you can be as a woman". One solid concept, so say I’m looking around ... and in this case I see a chandelier and think ‘oh, how can I use that?’” she said. “I don’t want to be critiqued about the way that I look on the Internet. But sometimes, Sia’s songs pass through more than one artist’s hands before they are recorded and things can get complicated, such as with the song “Pretty Hurts.”— -- Long before Sia recorded her album “1,000 Forms of Fear” and shot to the top of the charts with the unconventional hit single, “Chandelier,” the Australian pop singer established herself as one of pop music’s most successful songwriters.Sia said it took her “around 40 minutes” to write “Titanium.”Sia, whose full name is Sia Furler, has penned songs for a lengthy list of music’s A-listers, including Christina Aguilera, Britney Spears and Beyonce. Sia was one of the co-authors of this song. ‘Diamonds,’ it’s mine' and so that’s what we did,” she said.“I wrote it on the sofa three years ago for Katy Perry, sent it to Katy Perry she never heard it,” Sia said.
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