charles baxter against epiphanies

Such as they were they had all my memories.Through irony and interiority, Chandler more fully explores the world of the pyrrhic.His is a lonely life, and chess, a game with knights, represents Marlowe as a questing hero. He rejects Carmen’s advances, sends her from his apartment, and admits to his own humanity, how he was tempted by her: “I .

Against Epiphanies . Far more a part of it than Rusty Regan was. I let the gurgle die sickeningly, one choked gasp. Comments. . Glass starred the coupe. Baxter holds that epiphanies are trite and without purpose in today's fiction. General Sternwood, in his crowded hothouse, is in exile, waiting to die, asserting no authority, surrounded by orchids and plants that have “the newly washed fingers of dead men.” Vivian, one of his two daughters, moves about in a bedroom whose ceiling is “too high,” the doors “too tall,” and the “enormous ivory drapes [lying] tumbled on the white carpet a yard from the windows.” These details reflect her lack of order, control. Figuring out that balance has been a challenge for arts and publishing for ages.”So begins Pete’s attempt to diagnose how and why his departing son despises him, his medical partners have dumped him, his best friends are repelled. As I was drawn into the story, it occurred to me that Grodstein was giving me a lesson in my own conventional ways.The story is narrated by Pete Dizinoff, 53, an internist with a preference for “specialty cases, the sleuthy diagnoses nobody else had been able to figure.” In the first few pages we learn that he is separated from his wife Elaine and dogged by a malpractice suit, yet “when people ask how I’m doing – some of them still ask, you’d be surprised – I shrug and say, as manfully as I can, ‘Much better than you think.’ And this is true.”“Culture survives both on the backs of compensated creators and the desire to share. Absorbed in my work, I guess, making money, worrying over some stocks and daydreaming about renovating the kitchen. Because Marlowe carries the weight of secrets, Carmen’s killing of Rusty, he too dies a little on his quest, becoming a part of the nastiness, but what does it all matter anyway, we’re all going to die. The action grabs hold and the rhythm propels us on as Chandler repeats key words from one sentence to the next (“yelled/yell”; “groan/groan” and “gurgle/gurgle”), and then he lets us fully inside, still using rhythmic repetitions (“like it/liked it”); “laugh/laugh”) as Marlowe ironically appraises his own performance (“It was nice work”).

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charles baxter against epiphanies